Friday, January 12, 2007

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BACKGROUND PRESENTATION

A 14 km. Lugo city in Santa Eulalia de Dome, is a late Roman period building, rectangular in shape, with a small pool in the center and barrel vault decorated with frescoes of great importance. Outside, a small porch with two columns in antis "precedes the front, which opens a door with a horseshoe arch.

OUTSIDE THE CRYPT


The uniqueness in Western Europe the church of Santa Eulalia de Dome has caused multiple interpretations of its original purpose: instead of baths, Nymphaeum Priscillian temple. He was subsequently re-used for Christian purposes and under the name of Santa Eulalia.
The paper proposes an explanation of the architectural and each of its ornamentation and rituals from the analysis of the special architectural and structural configuration of the assembly.

research allows for chaining the interpretation of each of the elements of the monuments according to the Roman rite of the goddess Cybele.

Cibeles, the Latin name of a goddess native to Phrygia in Asia Minor, known to the Greeks as Rhea, the wife of the Titan Cronus and mother of the Olympian gods. Cybele was a goddess of nature and fertility worshiped in Rome as the Great Mother of the Gods. Creative souls, protected against the evil spirit, as full of kindness was helping those who invoked. His cult got importance in Rome from Augustus felt for her special veneration.

INSIDE THE CRYPT


Their sanctuaries in the empire had a specific architecture to match the performance of their rites and special baptism or taurobolium. The shape of their sanctuaries have not been studied in general so far, so this paper is a first approximation of an unknown aspect of ancient architecture and Galicia has a sample of outstanding importance and need of a correct and enhancement deserved.

The work has been developed during the PhD course held at the Universidade da Coruña entitled "Architecture in Galicia and under the guidance of Head of Building Technology Dr. Juan Pérez Valcarcel and using the current uprising remains the building drawn by members of the Department of Architectural Representation and Theory of Architecture School of Corunna.

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Cybele, the Magna Mater

I need to better understand the work I present a brief description of the figure in the ancient history of the goddess Cibeles and the main features of its ritual, and that this introduction will better understand the description of the elements of the building and its intended use. In

Pesinonte in Galatia of the Anatolian peninsula, there was the main center of worship Kybele, the goddess at the site dictated his famous oracles. Galatia, mountainous place where he lived the Great Mother and was represented by the Black Stone.


PESINUNTE BLACK STONE

Originally
was worshiped in the form of a large uncut stone was actually a meteorite. He devoted many shrines, most notably that of Mount Ida, Mount Sipila, that of Sardis and Cyzicus. His cult spread through Thrace and Greece. Their sanctuaries, numerous from V century BC were called metroon. But orgiastic practices and emasculated that were part of his cult were not well received by the Greeks.


CIBELES AND DRUM


Cibeles, the Latin name of a goddess native to Phrygia in Asia Minor, known to the Greeks as Rhea, the wife of Cronus and mother of the Olympian gods. Cybele was a goddess of nature and fertility worshiped in Rome as the Great Mother of the Gods. Creator of souls, protected against the evil spirit, as full of kindness was helping those who the invoked. His cult achieved great importance in Rome from Augustus felt for her special veneration.
Cibeles A special aspect is that it causes oracles and ecstasy, both to promote the prophecy, and to relieve pain and even death.

's trip to Rome Black Stone
"In 205 BC, in full Punic War the Romans consulted the Sibylline books to get some oracular solution or remedy that will provide help to get to good purpose in those wars . The Oracle proposed to send an embassy to Pesimonte (Pessino) in Asia Minor for the famous Black Stone would be helpful. It is not known what price paid for the fetish, the fact is that they got it or at least a very important part. Built by the Romans identified with the goddess Cybele, which in its most archaic representation was always a black stone or put another way, was the support of the epiphany of Cibeles. He was given the name Magna Mater. Sometimes you could see a relief carving in stone, representing the goddess. "

The sanctuary of the goddess in Rome on the Palatine stood up and opened
191 BC The earliest images were simple stones later it represented the Kalat (hair in a basket symbol of fertility) the great veil subject to the head with a crown of towers (symbol of the cities where prevailing) the tunpanón (drum) in his left hand and a cornucopia, a scepter or a handful of ears and poppies on the right. His car was pulled by lions.

The cult of Cybele / Rhea was directed by eunuch priests called gallus Corybantes or leading the faithful in orgiastic rites accompanied by wild cries and frenzied music of flutes, drums and cymbals. The most important post metróaco Roman priesthood was "Archigallus (Attis populi Romani), appointment more political than religious.

In Rome II and III century AD, can be said that "Attideia" took place with great splendor, to the point that the Emperor, the Senate and the prefect of the city, they went to the Palatine to honor and thank the Mater Salutaris amid the acclamations of the people. Phrygian feasts were held every year from 15 to 28 March. Claudio From his cult had secret rites (mysteries).


DANCERS FROM GALLUS


CIBELES ceremony around which revolved around the initiation process was the baptism of blood that the newcomer received the sacrifice of a bull, taurobolium, or a ram, criobolium. Etymologically, it means hunting taurobolium bull Criobolio network and Sheep Chase. Phrygian ritual in both the bull as the sheep were slaughtered and the baptism of blood received by the devotee cure diseases and even death.


ARA VOTIVE a devotee of Goddess


In those parts of its original cult was also known as Goddess of Ida, Magna Mater Deum Idaea, Díndimo goddess, or goddess of Berecintos, among other names. It was the divinity of nature and its power personified vegetative why was supposed to mountains and forests inhabited points, including wildlife. She was considered the origin of all, both gods and nature. Normally, was worshiped along with her lover Attis, sometimes considered his son. According

ancient mythical, Agdistis, hermaphrodite character behind which hide the personality of Cybele, was a passionate love for the young shepherd Attis. The seed that was born Attis was an almond tree that had sprouted Agdistis member, who had been cut by the gods who was castrated and became only woman. For this reason, Agdistis was the father of Attis, but being as only a woman, fell in love with the boy when he grew up and became extraordinarily beautiful. Attis was beloved by Agdistis and maddened by it. In the midst of madness, was castrated in the course of an orgiastic scene, killing him. However, it raised Agdistis-Cibeles and took him forever to her. The Latin poet Ovid
gave a different version of the legend of Cybele and Attis.
According to Ovid, Attis was a beautiful young forests of Phrygia which fell passionately in love goddess Cybele, which decided that the boy had to love her with a chaste love. What became guardian of his temple, to bind him to her forever, and put as a condition to retain virgin.
However, love for the nymph left Sagaritis and Cybele, outraged, provoked the death of the nymph. Attis went mad and in a violent crisis, self-mutilate. However, already neutered, the goddess came to accept his service, and took her in his car pulled by lions.

usually Cybele was represented with his head crowned with towers and accompanied by lions. Greek mythographers consider, often a simple incarnation of the Greek goddess Rhea, the mother of Zeus. Cibeles would thus the name of Mount Rea Kybele adored. Therefore, according to the iconography, as well as Rhea, Cybele was for servers to Corybantes or curette.

Instead, the cult of Cybele was very popular in Rome. From the year 204 BC was officially accepted during the course of the Second Punic War, when he moved the sacred stone of Pesinonte to Rome. This cult, started the expansion of all Eastern cults of the Roman world.

The religious symbolism of the Roman world Cibeles, the so-called doctrine metróaca it was necessary especially during the imperial era. On the one hand, it is assimilated to classical deities as Maia, Ops and Ceres, but the other maintained its character more markedly bearded god in Greece. In Rome, Cybele was worshiped as a lady of the land, skies and sea, protector of the miners, as the goddess determining the fate of the men, who were protected from temptation and evil.

SCULPTURE OF THE GODDESS


His cult included, in Rome, orgiastic scenes, to the point that the Roman Senate was forced to limit them. Initially, the priests of Cybele, known as Gauls, eunuchs dressed as women, emasculated during the orgiastic frenzy, with music of flutes, Combal, Phrygian and eardrums, these initiates entered a state of delirium and frenzy that ended with castration full practice of Roman law punished. For this reason, at first, was a cult itself mostly immigrants from eastern empire and the republic eventually banned, but later came to be accepted. To be legalized in large cities were designated official archigalos for the worship of the goddess and the emperor led the hierarchy, assisted by quindecemviros.

The structure of the priesthood of Cybele was as follows: first, the school had dendróforos bearing trees or other, the school canephora, or carrying canes, and finally the Corybantes. There was also a group living on the street preaching and almsgiving, called metragyrtes. This diversification was a religion and the religion of Cybele one of the most developed in Roman times.

The festival of Cybele, of great magnitude, were held during the spring equinox, between 15 and 27 March. Symbolized the history of Cibeles and Attis, who were the most popular deities of Rome.

Day 15 was the canna untreated, came the cane, they sacrificed a bull and procession, the canephora.

The arbor day 22 was untreated, was driving when the temple solemnly sacred pine tree, symbol of the mutilation of Attis.

Day dies sanguis 24 was the day of funeral mourning, with scenes of trains and new sacrifice of a bull.

The 25, day of joy or Hillary, commemorating the resurrection of Attis, and bathed on 27 de Cibeles in the mage a sacred river, culminating parties. Claudio

finally formalized this holiday and moved to April, when it became known as Megalesia. There, in addition to these major public liturgies, an esoteric cult of secret ritual in which they sacrificed bulls, sheep and printed with hot iron brands.
Despite the attempt to renew Neoplatonic doctrine connected with Cybele, worship of this goddess suddenly fell from the fourth century JC, in contrast to the extraordinary popularity which he had enjoyed during the empire. Cibeles
had many shrines in ancient oracles were residing in sibyls. These allowed the priests of the goddess of fortune telling. Sibyls voices were considered prophetic, bodiless, timeless, that the Greco-Roman anthropomorphic embodied in the form of prophetess.

These voices were those of birds associated with the cult of Cybele. Roosters, ducks, geese, peacocks, etc. The flight of birds, their songs and their cries containing the prophecies of the Sibyls. Cybele-Rhea Queen of birds. It is no coincidence that these birds receive today the scientific name in your order (reiformes), family (Rheidae) and species (rhea).

CIBELES IN HISPANIA
The goddess Cybele, which according to his account of Virgil's Aeneid had protected the ships of Prince Aeneas on his flight from Troy to Italy, was adopted by Augustus himself as a protector in their companies in Hispania.
Augustus, who felt a special reverence for it, determined the presence of the patron goddess of Rome in the new urbanized enclaves by him in the peninsula. Archaeologically has been testified to the presence of sanctuaries outside the walls of cities and Cibeles forts altoimperial period.

CIBELES IN
CALLAECIA Existenen evidence of worship of the goddess Cybele in the Callaecia.
In the sixties Sardiñeiro was found in a Roman altar dedicated to Cybele. Votive altar of granite, with base and cornice just for the front and sides. Above, circular focus between the two half-cylinders of which only preserved in the left side. On the back without styling to attach it to a wall. Its dimensions are 50 x 29 x 19 and epigraphic field is as follows:
Matri de-/ um s (acrum) / et Val (---) e (x) / vote.
is the second dedication that remains in Galicia to the Goddess Cybele considered mother of the gods.

Augas In the church of Santas in Allariz carved in stone, a Roman altar square and cubic form, with the image of the goddess who is sitting to the left of the nave. Is the profile of the Magna Mater.

Cubic Stone "is essentially a 'foundation stone', is certainly as 'land', as indicated on the other form, and also the idea of \u200b\u200b'stability' expressed by this form it is perfectly suited to the role of Cybele as 'Mother Earth', ie as representing the principle of 'substantial' of universal manifestation. "(R. Guenon)

Aguas Santas - Cibeles Cubic Stone

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In 1926 (XX century) was discovered under the nave of the church in the town of Vault, the archaeological site of Santa Eulalia, the only solutions are proposed to explain its origin, its function and meaning, since there is no documentation. Originally
semienterrado was not like today, and had two floors. Of these, only the bottom is preserved, except the central part of its roof lost during excavation.


COLUMN INSIDE THE CRYPT


is a rectangular space with a barrel vault and three naves separated by columns and arches in the background, a niche was the staircase linking the upper floor, in the center there is a shallow pool, which has suggested an application based on the healthy properties of its waters, as popular belief or sacred place magical.
This is ratified by the sculpture on its facade, with women who might be nymphs dancing with a hoop formed by water waves and a scene with two disabled displaying their deformities.

But most important of all is the pictorial decoration of the dome, unique in Spain, the most important collection of Roman Spain. On lime plaster, divide the space where you can see lozenges represented the most varied types of birds, many of them in a symmetrical position, in spurts of the arches are painted vases of flowers.

By the remains found are thought had two moments of use, one Pagan in late Roman times (ss. III and IV), the other Christian and the s. XI, as the upper church crypt.
(Description collecting tour brochure that describes the Monument)

LEGENDARY HISTORY OF THE SANCTUARY IN SANTA EULALIA DE VAULT
Richard Polin in his recent book on Primitive Road to Compostela, which follows the original route to Bracara Augusta Lucus Augusti described the existence of numerous forts, "mámoas" medorras pre-Roman and near the sanctuary of Santa Eulalia and indexed by Nicander Ares. Both determined that the closest is the Corvazal, located a few hundred meters. The author also describes the popular legend of the existence a road between the camp and buried the sanctuary, and that next to the first, known popularly as "A Modorra" there cheeper Pena, named in allusion to the singing of a haunted hen who lived on it and it disappeared from view, when someone stopped to look.

This legend, which remains in the collective memory of local residents, to ascertain the indigenous background to the cult of Cybele. The existence of an enchanted bird with a magical song, and performs its charm on a rock, is undoubtedly the sibyls indigenous history embodied in birds living in the temple of Cybele.


PAINTING

VAULT
The popular legend that relates the forts near a magical bird remains in the collective memory of the locals, and its strength is sufficient for writers and researchers to collect in their work at the beginning of the XXI century. It's amazing how gone any mention or review to pagan worship in the shrine had its origin, but as it remains one of the most popular magical character, both in antiquity and in the Middle Ages. The presence of magical birds that sing without being able to be observed.

Clipper Tent Trailers

ARCHITECTURE FOR RELIEF

The building, from the early third century, had two floors but now retains only the lower or crypt that is almost in its original form except the central part of the vault that was lost when the old chapel was demolished Christian who occupied the upper floor. Upper deck remains only part of the wall traces the vault starts cover in bricks.

The crypt, ground perfectly square, has an exterior length of 12 meters across. Its structure has two external walls, the exterior that performs the function of containment of the land surrounding it on three sides, and one inside to support the vault of the central chamber. Between the two walls there is a narrow corridor that runs along three sides of the building and which has at its ends two small windows to the outside as ventilation openings.
The crypt has a single exterior facade, it has a small courtyard that leads to the entrance of the lower enclosure.


PLANT OF THE CRYPT

La fachada al atrio, además de la puerta de entrada en arco de herradura, posee dos pequeñas ventanas que iluminan la sala interior en la que se encuentra en el centro un estanque de planta rectangular de poca profundidad. Esta estancia poseía una bóveda de ladrillos cerámicos que era soportada por dos pórticos de tres arcos apoyados en dos columnas de mármol y dos ménsulas sobre los muros de fachada y posterior. Toda la bóveda se encuentra decorada por pinturas sobre estuco en varios colores que representan aves diversas. En ambos laterales de la sala existen dos pequeñas hornacinas o cella.




















In the center back there is an arch that allows access to a perimeter corridor throughout the crypt and in which there was a ladder that down from the top floor.


TOP FLOOR


The current situation of the whole, in part by the disastrous intervention carried out during the eighties without any sensitivity and knowledge, and partly by the inevitable passage of time, does not You can check the structural composition of the original building on the top floor.
The shrines to the goddess Cybele had a specific and distinctive architecture linking ritual and architectural symbols. I was able to recover some old pictures of the interior, prior to the painful rehabilitation, which can be seen that the existing roof at the time, seventies, had a key hole in his upstairs allowed to communicate with the crypt, in the image frames referred to the side that supported the roof were already fallen. This image provides a closer approach to time that should be the original architectural form.




order to understand propose the structure best delayed two thousand years in time and observe carefully the Roman coin Salutatis dedicated to the Blessed Mother, the Magna Mater, which you can see the Roman goddess Cybele in her sanctuary on the Palatine hill, the Vatican called Phrygianum. It shows the goddess seated on a throne, with its characteristic features in their hands and two lions guard the place on both sides. These figures are on a small podium and under a structure of arches and columns. From the architectural point of view this image suggests a building with a deck consisting of at least three different-sized domes. However, if we look more closely we can see that the etching the way the lower front staircase is drawn shows that the etching is made with the intent of a rudimentary perspective.

Therefore, if we maintain that standard in the rest of the picture we reach the conclusion that perhaps the upper arches are in a position different depths, like the staircase, which is nearest to the observer that the lower superior.


FRIGRIO VATICAN IN ROME-CENTURY CURRENCY DC


I tested with this criterion can check numismatic recorded a clear similarity between the Roman temple and the building Lugo.

currency perspective reminds us vision of the various arches and columns that originally existed in the building of Santa Eulalia. We can see in the old currency five of the six columns that should exist in the sanctuary of Lugo. Two in the entrance hall and four keeping the door inside the building. In the author probably recorded superimposed Roman of them to choose a side view of the assembly to provide in-depth view of the temple.

's explanation for the worship of the goddess Cibeles required a singular architecture in their sanctuaries has been explained indirectly by Professor Pilar González Serrano in their investigation "" La Cibeles, Our Lady of Madrid ", in it the research presents a picture that represents the central point of their faith, when running on taurobolium or baptism with the blood of a sacrificed bull. The teacher presents the realization of the mystery-rite over a crypt dug directly into the soil where the devotee is positioned, and above it the priests, on a wooden board pierced, animal sacrifice and blood and falling directly on the devotee.


TAUOBOLIO RITUAL IMAGE


Drawing on research provided can approach the true value of the special architecture that can see both the old currency as the building of Santa Eulalia.

The rite Cibeles needed an architecture that would perform separately and simultaneously matching the sacrifice of the bull and the baptism of the devotee. To do this in the top of the building, was located the place of sacrifice, covered by a barrel vault and a board holes on the bottom dome opening, this opening was consistent with the place they should occupy the central key thereby generating a structural imbalance in the vault of the crypt. The lack of the necessary key instead produced in the whole trend liable to collapse, we add to this that there was overcharging for the use of sacrificing a bull and the priests needed to perform the operation ritual.
This state of charge on a non-key vault was determined by a complementary structure in the form of felling on the vault of the crypt. The two porches collected longitudinally divided proportionately vault charges, both own and use the upper floor, while the columns necessary to support symbolic offered complementary architectural value in the place where the devotee had received the baptism repair, and the small pool is framed by four Corinthian columns.

addition, as necessary solution, the pool that had received the baptism the devotee had a natural water system inside that allowed the cleaning of the blood produced in the slaughter. This is documented in the successive reforms carried out on the pavement of the sanctuary, the existence of several boxes of catchment and sanitation channels that allow the permanent collection of water crossing the floor of the building and probably had no other function than the permanent sanitation in the central pool of blood remains produced in the baptism ritual.

The author has proven to be a necessary condition of buildings dedicated to the goddess of the existence of a water table close to the ground floor inside the crypts and that this water is running, allowing a permanent sanitation of the shrines after the baptisms performed inside.

similarity of the architecture of the temple vault excavated in Merida.
-At the top, the building of martyrdom and Christian basilica of Santa Eulalia in Merida.
"On the bottom floor of the main facade and sanctuary of Santa Eulalia de Dome in Lugo.

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For the structural analysis of the building as a starting point we take the architectural hypothesis suggested in the previous chapter, I found references to other ancient buildings (documented in the chapter "References") that lead to predict that the hypothesis is correct but there is no complete assurance confirmation.

building structural analysis establishes the constructive section reflecting both heights, the higher the field and buried in the crypt retaining walls surrounding land.

The building combines three different materials in the implementation of its walls and structural elements: Granite


are made in local granite facades of the crypt key and probably the entire top floor which was above ground and in the light: The retaining walls of the plant bottom are made of granite and brick are made of granite stone pool and soldiers from the Crypt, and probably lost the floor upstairs.


Marble columns of frames which are below the ceiling alight in marble, in all probability Incio O Quarry. Ceramic


The vaults, both the bottom, with the top and the walls that support and lower arches of the porticos and the door of the facade of the crypt and the communication between brokers and the ladder are made of bricks ceramics, probably brought from outside the region by the craftsmen who built the shrine. The use this material in the most unique to imagine an alien to the common knowledge in the Roman Gallaecia.

The combination of structural elements of each material described can take advantage of the specific technical characteristics of each. The use of marble in the interior columns should, in all probability to the need to enhance the place where the devotee receives baptism.

Structural analysis was performed using structural design software, thermal, and magnetic fluids, based on finite element, Ansys Multiphysics in the Department of Construction Technology.













After the structural study of this unique building was concluded that the collapse of the building was reached by the combination of two factors:
a) A fault in the foundation of the main pillars, which rest in a puddle of water literally ground current, and over time weakens the strong support on which the four pillars of the crypt poorly braced together .
b) A small shift in the media makes the combination of gates and a vault that contains the building collapse, collapsing the center of the building. The vault is open in its central part which makes it possible desplazaminetos unstable support.

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PLANIMETRY


LOCATION AND SITUATION




RELATIONSHIP WITH SANCTUARY NEAR CASTRO
Unlike the opinion of other scholars believe that the fort that must be related to Santa Eulalia should be rather Vault Crovazal the remote. VAULT




SANTA EULALIA DE VAULT



CURRENT PLANT

CRYPT


PLANT SANITATION STANDARD


CRYPT





SECTION SECTION

HYPOTHESIS ORIGINAL BUILDING